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A Six-piece band, The Mary Wallopers were formed by brothers Charles and Andrew Hendy and their friend Sean McKenna traveling the length and breadth of Ireland singing and collecting songs. Their early live performances exuded a raw energy and their self-titled first album perfectly captured their sound and ethos, one filled with warmth, intimacy, chaos and enough sparks ready to light any fire.

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

Long time Martyrs' Sound Engineer Tony Baker is in need of some help! Come by Monday night to help raise money for a great cause.

For thirty years, Martyrs' has been fortunate to work with many of the finest musicians of our time while paying particular focus to the art of drumming. We are thrilled to present Peter Erskine Trio featuring Alan Pasqua and Scott Colley with help from our friends at Reelsounds Studio, Hard Wag Records and Steinway & Sons. Perhaps most known to many by his work with Wayne Shorter, Joe Zawinul and Jaco Pastorius in Weather Report, Peter Erskine has appeared on over 700 albums and film scores, won 2 Grammy Awards and was awarded an Honorary Doctorate from the Berklee School of Music. Fifty albums have been released under his own name or as co-leader. While Peter's accolades and collaborations are too numerous to mention, he has formed a special musical bond with Alan Pasqua at the piano. Peter and Alan will be joined by preeminent double bassist and composer, Scott Colley, for an extraordinary evening of jazz trio music not to be missed.

An inscription on the new EMEFE vinyl record reads: “This album is for you - our listeners - thank you for inspiring us to keep moving forward.” EMEFE has developed a loyal-turned-fervent following since their first EP release in 2010, when they were classmates in NYC jazz programs, hungry to revel in the joy of musicmaking together. They yearned to express as individuals and connect as a whole, free of judgment and focused on fun; 15 years later, their new album shows that their initial mission remains exactly the same. Through 10 energetic and inspired tracks, FORWARD exhibits a tight knit group of longtime friends seasoned in accessing that musical joy together. “We just flip a switch, and boom, we’re locked in - it’s a level of connection we don’t take for granted” says bandleader Miles Francis, whose Manhattan basement served both as the sole recording studio for their new album and the site of their very first rehearsals in the early days. At their legendary live shows, as cathartic and potent as ever, the crowd is made up of both longtime followers and many who just discovered them online in the last few years. “We’ve been actively motivated by our fans to celebrate what we’ve built so far and stay true to our path ahead, ” says bassist Doug Berns. “They are the engine that propels us to keep making new music that we’re overflowing with excitement about." Saxophonist Jas Walton chimes in: "Same as it ever was!” Lester Rey tiene la Salsa pa' tu Rave, el Juketeo pa' tu Perreo, y los Boleros pa tus feels.​Expanding upon the cultural psyche that is Latin music by diving head first into the intersections and nuances of identity, Lester Rey fearlessly searches for the divine in the spaces between the gritty club bass and the beautiful Caribbean rhythms. Exploring personal relationships, questioning norms, and pushing boundaries both in lyrical content and delivery, their music teases amalgamations of crooning, chanteo, and shatta flow. Vocal styles found in R&B, Reggaeton, and Dance Hall. The global, sonic landscape Lester Rey creates is informed by the concrete jungles of Chicago, the tropical island of Puerto Rico, and evolves further with the spirit in the machine of the internet.Lester Rey defines his catchy, eccentric, and honest sound as a creation that taps into the knowledge "de aqui y de alla" to create a world "ni de aqui y ni de alla" (the knowledge from here and from there to create a world neither from here or from there). A new home for people who feel forgotten, displaced, and left behind to survive between the cracks. A proclamation, a stance to declare our existence and worth in a post colonial matrix.

The music played by Zoofunkyou is a blend of blues soaked psychedelic funk. The freedom to explore our instruments is endless and what ever comes to mind will be played through a stream of sonic bliss.

It’s said that every grey cloud has a silver lining, and a Global Pandemic is no exception.Born of frustration and the need for a creative outlet during the COVID-19 quarantine, The Urban Roots Band was born and became a place of escape and healing through the sounds of True Roots Reggae & Ska music from the Heart of the City - Chicago!Comprised of the city’s top talent, and music community veterans, The Urban Roots Band performs the music of the Reggae pioneers including The Wailers, Peter Tosh, Bob Marley, The Abyssinians, Althea and Donna, The Heptones, The Mighty Diamonds and much more!The Urban Roots Band is: Pat Jabal - Lead Vocals Michelle Hallman - Lead Vocals and Conga “Wavy” Dave Burlingame - Bass and backing Vocals Shea Hugebeck - Guitar and backing Vocals Michael Cole - Keyboards Marshall Greenhouse - Percussion Colin Williams - Drums Special Guests:Victor Garcia - Trumpet Matt Attfield - Trombone Facebook@UrbanRootsBand

Mucca Pazza is a 30-odd-member rock ‘n roll marching band from Chicago, IL. Inspired by the subversive collaborations of Dada and Surrealism, Mucca Pazza seeks to attain the seemingly unattainable through an ever-evolving collective of artistic voices. Trumpets, trombones, saxes and sousaphones combine with guitar, mandolin, violin, cello and accordion, all on top of a rhythmic drumline — and all dressed in mismatched marching band uniforms. Add cheerleaders performing absurdist chants and you’ll quickly understand the band’s ethos: the bigger the better, the more the merrier, collectively jumping for joy.Ever since the band assembled in 2004 in the distinctly Chicago parking lot of a steel mill, Mucca Pazza has melded original compositions with street-theater spectacle. Musical influences range from Béla Bartók to Balkan folk, Björk to Charles Mingus, Clara Schumann to Frank Zappa — they are as comfortable in a performance hall as they are in football stadium bleachers.Nearly two decades in, Mucca Pazza continues as a multi-disciplinary fantasy of original music, shouted dream poems and sweaty dance freak outs performed by a large-scale collective that exists due to the grace and love of its ever-changing roster. Saxsquatch Unit is an Apocalypse Funk band hailing from the southern stripe of Michigan. Featuring a veteran cast of players, the Unit seeks to stretch whatever sound it finds to its breaking point, only to let it snap back to the grove again.The Unit isBennett 'Birdfingers' Young - guitarAdam Danis - drums Brennan Andes - bassJarad Saxsquatch Selner - saxophones

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

After fifteen years, six albums, innumerable sold out shows, and countless libations, Americana mavericks Horseshoes & Hand Grenades appropriately consider themselves a “family” on a wild, wonderful, and often whacky roller coaster. The bond between the quintet— Adam Greuel [guitar, vocals], David C. Lynch [harmonica, accordion, vocals], Collin Mettelka [fiddle, vocals], Russell Pedersen [banjo, vocals], and Samual Odin [bass, vocals]— fuels their creativity and chemistry on stage and in the studio.“Sometimes, it feels like we’re modern day cowboys on some kind of strange journey,” Adam affirms with a laugh. “We’re five friends who set out to do something we enjoy doing, meet interesting people, see old friends, and make some new buddies along the way. Because of that sense of friendship, everything seems to happen organically. It's been one hell of a ride.”That’s been the case since these five musicians first met in Stevens Point, WI at college, joined forces, and hit the road harder post-graduation in roughly 2013. They have ignited stages alongside everyone from Billy Strings, Greensky Bluegrass, Trampled By Turtles, The Infamous Stringdusters, and Railroad Earth, to Merle Haggard and Marty Stuart in addition to appearances at festivals and venues such as Telluride Bluegrass Festival, Delfest, High Sierra Music Festival, Blue Ox Music Festival, Red Rocks Amphitheater and Nashville’s Ryman Auditorium.Their six albums—Another Round [2012], This Old Town [2013], Middle Western [2015], The Ode (2018), Miles in Blue (2020), and For Old Time’s Sake (2022) take the listener through a wide range of musical and emotional landscapes, something surely provoked by the five different members all sharing songwriting duties. Their most recent album, “For Old Time’s Sake” is a 13-track album that celebrates their nearly 15 years together as a band, while nodding to the musical roots that have laid the foundation of the band.Greuel says, “We always joked about making a “new time, old time” album. At some point we realized it was a pretty good idea and things fell into place for it to happen. Man, we just love making music together. It’s always a fulfilling and interesting process watching one another come up with the parts that make up our sound. We really do our best to honor one another’s musical curiosities, and it feels like that’s what makes us sound uniquely “us”. It’s also just a joy to be able to be yourself, and that’s been something we’ve always tried to keep at the forefront of this band.”

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

Sqwerv's roots run deep in the Denver music scene. Those roots began to take hold as the band started hosting local open jams and playing gigs at small bars and venues in 2017. Since then, Sqwerv has become a staple in Denver's music scene with bands like Magic Beans, Squeaky Feet, Eminence Ensemble and Rado.This four-piece Indie-Psych Rock band’s love for classic rock, psychedelic music and improvisation creates a sound that is refreshingly original and exciting. Sqwerv realizes the importance of good songwriting and is always pushing themselves in the improvisation. The band spends a great deal of time writing lyrics, composing, and developing song structure that has grown into a catalogue that ranges from twelve minute prog songs inspired by Homer's Odyssey to two minute psych songs about love. They are fiercely driven to get to those transcendent, improvised spaces that all jam-music lovers crave. Sqwerv continues to deliver to their audiences through groove, counterpoint, polyrhythms and risk taking.In the last two years the band has released two studio albums, three live albums and completed two national tours with no plans on stopping. They have had the opportunity to open for acts like Lespecial, Spafford, Eggy and Big Something. They hold themselves to a rigorous tour schedule playing unique shows for their fans on a regular basis. Sqwerv leans into the dark and the beautiful while thriving off of the sounds they create and connections they make.

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

The Rolling Cloneswere born on the corner of Armitage and Halstead at Nick’s in the early1990’s. A well-known financial analyst named Art McQueen used to frequent Nick’s on Fridayafternoons after battling the financial markets all week.This analyst would come into Nick’slooking for a few pints, a few laughs, and lots of Rolling Stones songs on the jukebox. Theproblem was that this particular analyst faced a major nemesis in the bartender who had verylittle tolerance for Rolling Stones songs on the jukebox. Hence, the formation of this StonesTribute Band: The Rolling Clones.Along with Art as Mick, this band’s personnel are stellar local professional musicians andinclude John Blaha on Drums, Bruce Krippner on Bass, Randy Farr on percussion, John Meadas Keef and Steve Doyle as Woody, rounded out by Lisa McQueen on keys and Cash Michaelson Sax.

Having exploded from a small underground street-jazz sound in Chicago in the mid-1990s, the Liquid Soul universe continues to expand at a dizzying pace. Founded and led by innovative saxophonist/composer Mars Williams, the Grammy Nominated ensemble has developed a trademark mixture of jazz and urban dance music that incorporates everything from R&B, hard-bop, hip-hop, world music and more. Downbeat proclaims that Liquid Soul “sweeps the mold and mildew out of jazz-funk and breathes it back to glorious life.”With a marathon touring schedule that has included everything from performing at the Presidential Inaugural Parade to headlining the first acid-jazz performance at the Newport Jazz Festival, Liquid Soul has evolved into an intuitively tight outfit that knows no stylistic limitations. The amalgamation of genres created by the eight-piece collective is a blend of pure musicianship, a fiercely passionate fire and the inherent fun of a pure dance groove. The result is a unique live music experience that draws a diverse legion of fans, spanning across multiple age and ethnic groups.The story of Liquid Soul begins in 1993, when the band was at the forefront of a burgeoning acid-jazz movement in the Midwestern United States. Evolving from free-form hip-hop jams, the band coalesced spontaneously and soon found a home every Sunday night at Chicago’s Elbo Room. Word spread fast, attracting like-minded individuals from far and wide to the small stage. Thanks to these auspicious midnight marathons, Liquid Soul soon solidified into a steady working unit.The group quickly morphed well beyond their improv-oriented acid jazz beginnings, and their eponymous, do-it-yourself debut album – originally released in 1996, on their own Soul What label – was quickly picked up and distributed by Ark 21 Records. The band was thrust further into the limelight after a highly publicized gig at Dennis Rodman’s birthday party. They relocated their regular Sunday night gig to the Double Door in Wicker Park and held it =for nearly four years (February 1996 to December 1999). In that time, they rarely missed a Sunday evening while playing nearly 200 gigs a year throughout the U.S. and Canada, as well as Germany, Turkey, Russia, Mexico, Austria and Japan.Along the way, the band has garnered nationwide acclaim. They have opened for Sting at Madison Square Garden and Central Park, played at the inaugural parade and 21st century ball, and twice rocked South By Southwest, where they were heralded by the Austin American-Statesman as “the single hottest showcase of the festival.” In addition to their ambitious tour schedule, they also recorded three more critically praised albums – Make Some Noise (1998), The GRAMMY nominated Here’s the Deal (2000) and Evolution (2002).The band joined the Telarc label in 2006 with the release of One-Two Punch. The recording enlists a small army of cutting-edge players, including a few high-profile special guests: turntable virtuoso DJ Logic, Living Colour guitarist Vernon Reid, Widespread Panic keyboardist John “JoJo” Hermann and Smashing Pumpkins drummer Matt Walker.Live or in the studio, playing it hard or smooth, Liquid Soul is a fiery concoction of classy soloists, heavy rhythm merchants and hip-hop cognoscenti. They are in a group that thrives on contact with their audience. One cannot help being moved by Liquid Soul’s ongoing party philosophy. The band’s in-the-tradition repertoire extends from classic compositions by Ornette Coleman and Miles Davis to excursions on the latest breakbeats and mad samples. They continue to bridge the musical gap between standard jazz improvisation and urban rhythm. And as always, the band stays true to its roots with a continued philosophy of bringing jazz back to the dance floor.Mars Williams - SaxRon Haynes - TrumpetJohn "Showtime" Janowiak - TromboneTom Klein – GuitarRicky Showalter – BassWalter "Dirty MF" Sargent – MCBrian "MC B" Quarles – MCDevin Staples – DrumsDavid “My Boy Elroy” Arredondo – Turntables & Beatbox It’s said that every grey cloud has a silver lining, and a Global Pandemic is no exception.Born of frustration and the need for a creative outlet during the COVID-19 quarantine, The Urban Roots Band was born and became a place of escape and healing through the sounds of True Roots Reggae & Ska music from the Heart of the City - Chicago!Comprised of the city’s top talent, and music community veterans, The Urban Roots Band performs the music of the Reggae pioneers including The Wailers, Peter Tosh, Bob Marley, The Abyssinians, Althea and Donna, The Heptones, The Mighty Diamonds and much more!The Urban Roots Band is: Pat Jabal - Lead Vocals Michelle Hallman - Lead Vocals and Conga “Wavy” Dave Burlingame - Bass and backing Vocals Shea Hugebeck - Guitar and backing Vocals Michael Cole - Keyboards Marshall Greenhouse - Percussion Colin Williams - Drums Special Guests:Victor Garcia - Trumpet Matt Attfield - Trombone Facebook@UrbanRootsBand

It's a COUNTRY REVUE with THE HOYLE BROTHERS!*MARTYRS' ~ 3855 N. Lincoln Ave., ChicagoCome listen -and- DANCE as MYLES McVEIGH, lead singer of the Hoyles, shares his mic with an array of friends:

Fantastic Cat almost died. Each member also individually (but at separate times) faced devastating heartbreak, went to jail, got sober, almost quit music entirely, reconnected with a long-estranged family member, started making music again, hit rock bottom, had a chance encounter with a mysterious stranger who changed their perspective on life, almost quit music entirely a second time, reconciled their progressive, liberal ways with their strict, conservative upbringing, and embraced the raw power of their sexuality. It was quite a summer.And sure, you may be reading this right now saying, “Wow, that kind of sounds like the band just basically jammed every album bio cliché they could think of into a single paragraph without anything to back it up in a pathetically transparent attempt to generate press coverage.” But that kind of cynical thinking is exactly why GQ owns Pitchfork now (or whatever the hell happened there). Anyway, it’s all real, and if it makes for the kind of inspirational headline that editors and advertisers alike both find highly clickable, then so be it.You see, two years ago, Fantastic Cat was nothing more than a little-known rock band with a cult following (their fans were primarily members of Heaven’s Gate). That all changed with the release of their award-eligible debut, The Very Best Of Fantastic Cat, which garnered the kind of press you simply can’t make up. USA Today proclaimed, “We don’t have a music writer anymore,” while NPR received multiple copies of the album in the mail, and The New York Times’ Jon Pareles declared, “I’m currently out of the office and will respond when I return.”Success went to the supergroup’s head, though, and through a series of dramatic events almost too unbelievable to recount in specific, verifiable detail, they nearly lost everything, only to triumphantly overcome their seemingly insurmountable setbacks in a way that just begs for a Judd Apatow-produced HBO Max documentary (or at the very least, a decent Spotify playlist placement somewhere closer to the top than the bottom).Today, Fantastic Cat is back and older than ever, taking America (and the nicer parts of Europe) by storm with their smash hit new album, Now That’s What I Call Fantastic Cat, which, as of this writing, hasn’t technically been released yet, but seems almost certain to be a huge success based on industry trends and corporate forecasting.Galvanized by a transformative journey into the spiritual vortices of the Pocono Mountains, the band found inspiration for their sophomore effort in the world of mind-expanding psychedelics: they dropped antacids, experimented with mushrooms (primarily porcini), and even began microdosing a variety of hard seltzers. The result was an album that could only be described as “Christopher Cross crossed with Kris Kristofferson,” a bewildering blend of stepdad rock and in-law country destined to solidify their status as your least favorite songwriter’s favorite songwriters. But no one hit the record button, and the sessions went mercifully undocumented.Instead, the album they turned in to the label is an entirely different collection, one that meets (but does not exceed) the minimum Grammy® eligibility requirements in all major televised categories. Now That’s What I Call Fantastic Cat!

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

Dead Letter Office has dedicated themselves to faithfully reproducing the music and energy of a live R.E.M. show. Since 2014, they've been thrilling audiences throughout the U.S. & Canada, providing a show that's been sorely missed since R.E.M called it quits. Performing R.E.M.'s major hits, but also diving deep into their catalog to please the die-hard fans! The only R.E.M. tribute band to have members of R.E.M. perform with them (Mike Mills joining them on stage in Buffalo NY....and Peter Buck joining them on stage at Clusterfest in San Francisco!!).

Terrapin Flyer, formed in the fall of 1999, has since become a beloved fixture on the national music scene, playing regularly at venues and music festivals across the country. The band has a dedicated following among fans of The Grateful Dead and other jam bands, and is known for their authentic renditions of Dead songs. Over the years, Terrapin Flyer has toured with many great, notable musicians including Melvin Seals from the Jerry Garcia Band, Vince Welnick, Tom Constanten from the Grateful Dead and many other Dead-related musicians. Terrapin Flyer's shows are always lively and dynamic; their music always gets audiences dancing and singing along.

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

The Paul Green Rock Academy (PGRA) is the latest music school from School of Rock founder, and noted Zappa fanatic, Paul Green. An audition only music school for ambitious students aged 12-18, PGRA has spent the last 5 years touring, alternately, as the backing band for Jon Anderson of Yes and Gibby Haynes of the Butthole Surfers. They have also shared the stage with such amazing musicians as Bill Bruford, Steve Hackett, and Phil Manzanera. Paul’s former students have gone on to play in/with: The Who, Phony Ppl, The Bobby Lees, Dr Dog, Adrian Belew,Lauren Hill, and Willow Smith, to name a few.Robert "Bobby" Martin is a highly accomplished American singer, songwriter, and multi-instrumentalist, known for his work with Frank Zappa and his career as a session musician, composer, and musical director, as well as directing his own music production company. He is a sought - after keyboardist, horn player, and vocalist, having worked with numerous artists, including Bette Midler, Paul McCartney, and Etta James, and has composed music for film, television, and advertising.Scott Thunes is best known for his long tenure in Frank Zappa's band during the 1980s, playing bass, singing background vocals, and serving as the official “Clonemeister,” running rehearsals for the Zappa band. He also recorded and toured with Zappa's sons Dweezil and Ahmet, and his music career has included work with the Waterboys, The Mother Hips, and Fear, among others.Ray Shirley White Sr., a soul and rock guitarist best known for his vocals and rhythm guitar in Frank Zappa's touring bands from 1976 to 1984, also formed a vocal harmony partnership with Ike Willis on later tours. He is featured on numerous Zappa albums and videos, including "Zappa In New York," "You Are What You Is," "Ship Arriving Too Late To Save A Drowning Witch," and "The Torture Never Stops".The We Love Zappa II Tour: The origin for this tour began at the Zappanale festival in 2023, where Paul Green was making his return after a 6 year break (his 7th appearance overall) with the students of PGRA, headlining Friday (playing Zappa) and Saturday night (with Jon Anderson). The Sunday (and overall) headliners were Banned from Utopia and Paul and his students stood in stunned silence watching a band that was like watching one of the best Zappa bands from the 80s. A friendship was struck up between the groups and plans were soon in motion to tour the US in the summer of 2024. That tour was so successful, and such a good time, that we decided to go out again in 2025, this time with just the alumni so that the students can have their turn playing these amazing songs with them.

Vibraphonist, percussionist, and songwriter Mike Dillon is an eclectic, highly adventurous musician with a sound steeped in post-bop jazz, funk, and avant-garde rock. Drawing upon such wide-ranging influences as , , , and , he has led and co-led numerous ensembles, including the , , and . As a sideman, Dillon has also worked with a varying cadre of acclaimed performers, such as ' , , , and . In addition, he has released his own genre-bending albums, including 2007's Battery Milk with his band, 2014's New Orleans jazz- and R&B-influenced Band of Outsiders, and 2020's inventive covers album Rosewood. In 2021, he released an ambitious, deeply personal trilogy of albums: Shoot the Moon, Suitcase Man, and 1918.

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

Alaina Stacey co-founded the Nashville-based Americana group, Maybe April, appearing onstage at the Wilshire Theatre in Los Angeles, alongside Bonnie Raitt, Kris Kristofferson, and The Goo Goo Doll’s Johnny Reznick as part of a GRAMMY week performance called A Song Is Born. Their Audiotree video went viral, and it remains one of Audiotree’s most popular videos. With Maybe April, she opened for Brandy Clark and Sarah Jarosz, performed at Pilgrimage Music Festival, Merlefest, SXSW, CMA Fest, and other festivals, and released an EP and record, The Other Side, which was produced by her brother Julian. The band won “Americana Group of the Year'' two years in a row at the Arkansas Country Music Awards. On her upcoming EP, “DAY,” which is the second in the three-part series EP series, Stacey hones in on active energy, the feeling of walking into broad daylight with a determination to right all of one’s wrongs. Recorded and produced by Evan Redwine in Nashville and Brian Deck in Chicago, Stacey’s EP “DAY” features a bright and sunny sonic outlook, despite many of the songs being drenched in heartbreak and lyrical melancholy. In her latest single, “I Would,” Alaina works with an upbeat and shiny pallet to bring hard truths into the harsh light of day. Nashville-based artist Madeleine Kelson has been writing and performing music since childhood, developing a unique, country-leaning style of Americana laced with elements of rock and blues. Inspired by artists like Patty Griffin, Jason Isbell, and Brandi Carlile, she’s a dynamic and down-to-earth storyteller, using her own life experiences as fodder for poetic, yet accessible, lyrics. Madeleine has been featured twice on NPR, has viral TikToks featuring her single, The Way I Do, with a combined 1.4 Million+ views. She is featured on Spotify editorial playlists, including Queer As Folk, Emerging Americana, and Fresh Finds Folk. With her April 2022 launch of her debut solo album, While I Was Away, Kelson blends haunting melodies and driving percussion with a particularly human warmth.

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

First Sundays are the Chofis Session. Presented by drummer extraordinaire, Chris Sanchez (AKA Chofis). The Chofis Session is a jam featuring some of Chicago's brightest young musicians. Bring your instrument and jam with the best. ALL AGES welcome and No Cover! Come One Come All!

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!

Honky Tonk Sundays! Join us for an afternoon with The Hoyle Brothers. They play every Sunday at 3pm.

No Bother is composed of Roan Quinn (Bass & Throat), Brennan Quinn (Guitars & Throat), Liam Cahill (Guitars & Throat). They play only their favorite Ragtime, Country & Western, & Traditional Irish tunes. Every Third Sunday Of The Month, and NO COVER!