Sat, Jan 26 - 9pm - $10

Hushdrops are a three-piece rock band from Chicago featuring current and former members of Veruca Salt, Liam Hayes and Plush, The Waco Brothers,[1] The Webb Brothers and NRBQ. The band's 2004 debut album Volume One was followed in 2014 by the double album Tomorrow.[2]

 What’s The DIFF?  ...The DIFF is BACK.  Hailing from the Boston area with a sound like wicked hot teenage dismissal, the DIFF gained popularity in early 1980 with their regional single “Can’t Stop Tonite”— a toe-tapping, telling tale of alienation and impulse-control disorder. Their debut recording, What’s The DIFF?, has been in the can for decades, shelved when the band split up in 1982. Having taken this time to overcome [most of] their personal differences, the lads have agreed to usher in a return to glory ...A Return of The DIFF.

 Greg Franco is a big man – a man who dreams big, with a big heart. I first met Greg when my band Ashtray Boy played L.A. in 2014. He was a friend of sometime Ashtray Boy member Andy Creighton (more well known for his current band, The World Record). Greg crashed an Internet radio interview Ashtray Boy was guest hosting, and from the get-go, I knew I had met a real mensch. Once in a while you get that feeling. Turns out Greg’s in this band Rough Church, who Andy had turned me onto during an earlier L.A. jaunt. And so I’m flattered when Greg asks me to join the church of Rough Church for some shows in Chicago and NYC as their guest drummer. Somehow in a whirlwind couple of days, we also squeeze in a Daytrotter recording session 175 miles away in Davenport, Iowa, the same day as our Chicago gig. I build Greg a bronze colored Telecaster. He turns 50 in New York and we live it up on the Lower East Side.Fast forward a year, and Greg is set to master the new RC album in Chicago with Bob Weston. I get another call from Greg, asking if I want to track some songs at Electrical for fun while he’s in my hometown for the mastering sessions anyway. I recruit my pal Marco, a co-worker of mine and bass wunderkind, to learn the tunes. Greg flies his buddy Manny Nieto out to engineer the session; Greg and Marco meet one another, and a few hours later we have five songs in the can. The three of us celebrate downtown at Greg’s hotel. Over a subsequent trip to L.A. a few months later, again with Manny engineering (this time at his Estudio), I lay down some guitar and keyboard tracks, and Greg touches up vocals and guitars a bit.We thought about a cologne to go along with this record. Man’s Body. There’s something about a Man’s Body. Or, There’s nothing like a Man’s Body.Stay Found.