Fri, Sep 20 - 8pm - $12

 Ezra Bell’s first full-length debut features ebullient soul twang, flowing and leaping like the music of a late 60s/early 70s recording of well-trained freaks dabbling in various genres. This Portland band sounds like they effortlessly recorded one of those forgotten-gem “cult albums”, despite it being early 2018. After three well-received EPs and playing regularly in Portland since 2013, the playfully literate and cheerfully plaintive Benjamin Wuamett and his gaggle of quite fit players, conjure up a festive dusky folk-rock-blues-jazz-R&B-pop vibe that doesn’t smother out the melancholy. These haunted stories include key tracks “Tourists” (“This one is about realizing the game is rigged, but you still have to play; it’s the only game in town”); “Yawning at the Seance (“This one is about the stories we tell ourselves in order to feel like everything is okay”), and “Let Me Do the Talking.” About that last one: “The opening line is a rip-off of something the boxer Jack Johnson said when asked how he managed to so intrigue women. He said ‘eat jellied eels and think distant thoughts.’ I think it’s one of the great travesties (and a telling indictment of our society) of our time that a great man’s name has been usurped by some surfer singing about breakfast.” The glistening, giddy music on these tracks help to document the car-wreck gas-lit lifestyles Wuamett masterfully describes. He displays gleaming shards of a self-depreciative self-awareness but also someone busy getting lost. “The overall theme going into this?” Wuamett answers to what the album is about. “Desperation. A call to arms. A whimper. A declaration that being witty by yourself at 4 AM in a basement, is a poor way to live.” Ezra Bell features Maurice Spencer (bass), Tom Trotter (drums), Aaron Mattison (horns and arrangements), Honora Hildreth (backing vocals and percussion), and Jeremy Asay (keys and guitar) more-than-ably backing up Wuamett’s story-songs and satirical jigs with organic precision.Wuamett came up with the band name when he was in Portugal and a girl he was with dared him to try a nearby concession stand’s popcorn snails. He had two full bowls. “They were delicious,” he says. “When I got back to Portland, I couldn’t sleep. On the way to work the next day, after a rainfall, I saw a slug crossing the sidewalk. I bent down and ate it raw on the spot. I didn’t go to work that day I went home, grabbed a garbage bag and spent the morning gathering snails, slugs, worms (not sure if worms fall in the mollusk family but, still, delicious) which I brought home with me. Hours later, as I sat shirtless on my couch, covered in sweat, I knew I had a problem. It would be too long a story to talk about all the places my disease took me. Suffice to say — I once hitchhiked to California because I really wanted to taste a banana slug. In the end, it became too much and I sought help via the internet. I began posting on various forums about my problem. I hadn’t been to work in weeks. Unfortunately, there are very few mollusk addicts on the web and my various inquiries went without commiseration until a nice man from Georgia spoke up and we began a long correspondence during which he shared with me the tools that had enabled him to survive in this strange world. He saved my life. His name was Ezra Bell.” 

 Public Disco Porch is the collaborative project of Spencer McCreary, Chicago-based singer, songwriter, producer and multi-instrumentalist. The band's debut record featured over 10 different artists from around the midwest and hones in on a sound that feels familiar, yet new. A lot like when you find an old tape in your dad's truck.

 Adjacent Cruise is a merge of different musical styles and culture. Singer-songwriter Shannon Richardson on lead vocal and guitar, has strong influences from blues, raggae, country, folk, pop and many legendary rock n' roll musicians. His songwriting style and vocal performance are often compared to music of Jack Johnson, Jason Mraz, Sublime and Dave Matthews Band. Classically-trained musician Yuen Yee Richardson, born and raised in Hong Kong currently located in Chicago, on backing vocal, piano, clarinet and saxophone, admires many of the classical masters and contemporary composers, from Baroque to modern. She also have a love for music of all kinds including jazz, folk, rock and world music. The two musicians of contrasting musical styles and background came together and formed Adjacent Cruise, which aims to share similar interests while bringing differences together. Adjacent Cruise also collaborates with other musicians and artists of different styles and culture, from time to time, sharing their passion and appreciation for a great variety of music and art forms. After three years of working together, Adjacent Cruise is releasing their 20-track Debut Album “Light as a Feather, Heavy like the Sun” near end of summer 2019, followed by an Album Release Show featuring a rare full band appearance in collaboration with local musicians of different musical backgrounds.